Ms. Eskin certainly can play piano. She can certainly read music. And she can combine the two well enough. What I found most distracting about this album, however, isn't the fact that she doesn't repeat many of the measures. It's that she tends occasionally to hit clinkers. After the first one or two, I found myself listening more closely for mistakes than actually enjoying the music. Another problem with this album is that her renditions are too bulky and heavy. I've heard much cleaner-sounding performances of Lamb's work.

I paid the money so I don't intend to return the CD. But it'll play well enough in my noisy car driving to and from work.

I have owned this album since June 2000, and it inspired me at the time to find out more online and even to compose some rags of my own. It turns out that many of the melodies are made more "logical" by Eskin. However, she does use too much pedal, and she also does not take most of the repeats. It is unfortunate that she repeats only the first strain of "Ragtime Reverie," for there are no on-demand recordings of that work over the Internet.

its a good album but not very good
first of all in several rags virgina doesn't repeat where it says it must. second she plays several rags way to fast. Joe lamb was just like the others that ragtime must not be played fast the feeling get lost in the a rag that is played to fast like ragtime nightingale. I have the sheetmusic myself and it says "slow march tempo" not fast like virginia it plays.
but its a good album she plays with flair and style

Joseph F. Lamb is generally thought of as one of the three greatest of the classical ragtime composers, the others being Scott Joplin and James Scott. It's a matter of taste, but many rank him almost as highly as Joplin, and this exquisite album shows why. Lamb's rags typically soar with wonderful, reverie-evoking melodies, unmatched in the ragtime canon. These melodies are offset by original, exciting, brisk passages. Virginia Eskin executes these gems wonderfully. She presents them always at the proper tempo and as written, without the filigrees that are so common in ragtime playing (Lamb doesn't need them!). The only drawback -- and it is a very minor one -- is that she sometimes treads a little too heavily on the pedal. This album is essential in even a small ragtime collection. In my large collection, it is one of my favorite and oft-played treasures.

Up until Joseph Lamb, the only ragtime composer who could satisfy me was Scott Joplin. These rags are excellent and distinctly different from Joplin's, although both composers are obviously from the same genre. According to the liner notes, they even knew each other.

The pianist has a great love of the material, and it shows in her playing.

I highly recommend this CD to all fans of ragtime.